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Spiders Really Do Live Under Toilet Seats
If you've ever heard anything about Australia it may be that you've been told to look under the toilet seat for Redback spiders before stealing some uninterrupted time in the quietest and darkest room of the house. Australia is home to some of the most deadly insects and arachnids in the world - all of which despite their fearsome reputation are extremely photographic.
 

Infrared Photography and the Car Thief - Successful Digital Imaging
To the uninitiated observer infrared photography conjures up television images of car thieves speeding away from police helicopters during the dark hours of the night. In recent times professional photographers have made use of infrared film predominantly for black and white portraits. However infrared photography is now not out of the realm of possibility for the average amateur photographer.

Infrared Photography and Big City Crime
One of the major problems of the larger cities of the word these days is crime. It appears that the larger the city the more-acceptable serious crime seems to be. Not much escapes the all-seeing eye of the infrared camera of the police helicopter as it chases a carload of thieves down the freeway. Likewise, your own infrared daytime photography should let no entity go unnoticed.

 

Spiders Really Do Live Under Toilet Seats

Summary:
If you've ever heard anything about Australia it may be that you've been told to look under the toilet seat for Redback spiders before stealing some uninterrupted time in the quietest and darkest room of the house. Australia is home to some of the most deadly insects and arachnids in the world - all of which despite their fearsome reputation are extremely photographic.

Article:
If you've ever heard anything about Australia it may be that you've been told to look under the toilet seat for Redback spiders before stealing some uninterrupted time in the quietest and darkest room of the house - the Aussie outback toilet. Australia is home to some of the most-deadly insects and arachnids in the world - all of which, despite their fearsome reputation, are extremely photographic.

Macro photography is generally recognized as the art of capturing images of small objects at a scale larger than life. Insects and spiders fit perfectly into the serious macro photographer's psyche as they pose in unpredictable positions and are always on the move. Depending on the insect - this can make it extremely difficult to capture them clearly-enough for the photograph to be of high-enough quality for presentation value.

The Australian Redback spider is a very timid creature. It lives in warm dark places such as wood piles, under the eaves of homes, along timber fences and yes - even under the famed outback Aussie toilet seat! They've even started to make their presence known in the steel cities of Japan - courtesy of shipments of Australian iron ore.

Finding a Redback can sometimes be the easy part of the shoot - they're everywhere in summer. Getting the little creature to keep still and pose in the right position and light can be the difficult part.

Shooting macro photography images usually means getting as close as only a couple of inches away from the subject. This can sometimes be a disturbing experience when photographing the Redback. They're mostly shy and sometimes move fast.

I've never read anywhere that Redback spiders can jump; however I've had a couple of experiences where I've witnessed this. It's usually the smaller ones that will leap from the leaf of a shrub and swing on a fine thread to the ground in an attempt to escape. So when you've spent the last five minutes setting up the shot only to see the highly magnified spider disappear from the eyepiece of the camera in an instant - you'll find yourself spending the next fifteen minutes looking for the damn thing up the leg of your trousers!

The silky smooth blackness of the Redback in sunlight lends itself to a set of gleaming macro photographs you'll be proud to show to your friends.

If you go searching for a Redback to photograph, be warned; around 200 Australians are bitten each year!

Resource:
Phill Petrovic is the owner of Photo Shop Australia at:
http://www.PhotoShopAustralia.com/

Photo Shop Australia provides unique and amazing Australian nature photography including macro, infrared and landscape images of Australia. Photo Shop Australia also has a page of totally royalty free images available for free download for businesses and personal users.

Publisher Guidelines
If you wish to publish/reprint any ezine or blog article from Photo Shop Australia in your own online newsletter, newspaper, magazine, other print publication, ezine, website, or blog you must acknowledge the copyright of Phill Petrovic and Photo Shop Australia by publishing the entire article without changes, including hyperlinks.

You must also include the full resource details as shown below the article.

You must also agree to not to change the title or content of the article in any way. All links must be maintained active.

This notice constitutes written permission for you to publish this article using the guidelines above.

 

 

Infrared Photography and the Car Thief - Successful Digital Imaging

Summary:
To the uninitiated observer infrared photography conjures up television images of car thieves speeding away from police helicopters during the dark hours of the night. In recent times professional photographers have made use of infrared film predominantly for black and white portraits. However infrared photography is now not out of the realm of possibility for the average amateur photographer.

Article:
Infrared photography is sometimes placed on the outside edge of the mainstream photographic world. To the uninitiated observer infrared photography conjures up television images of car thieves speeding away from police helicopters during the dark hours of the night, only to be caught hiding beneath bushes beside a darkened home as their hot bodies light up the camera monitor in the police chopper like Bedouin camel herders atop a Sahara sand dune.

In recent times professional photographers have made use of infrared film predominantly for black and white portraits. However infrared photography is now not out of the realm of possibility for the average amateur photographer. Digital cameras are now providing the clever photographer with the opportunity to create beautiful infrared images at a fraction of the cost when compared to film.

Not all (or more accurately - not many) digital cameras are set up to be able to shoot infrared images.

So how do you know if your digital camera can shoot infrared images?

This is a simple one to answer!

Point your digital camera at a television remote control and take a photograph of the infrared sensor that's located at one end of the remote while pressing buttons on the control to send out an infrared beam. If your camera can shoot an image of the infrared light being emitted from the LED of the TV remote control then you are on your way to producing an infrared image!

It's not enough to simply have any old digital camera for shooting infrared images. The type of digital camera that you've purchased will determine whether infrared images will be successful. Your camera should be at least a semi-professional digital or digital SLR-type with screw fittings to be able to connect filters to the lens.

The lenses of the cheaper and smaller digital cameras don't usually support fittings for filters so may not be appropriate for digital infrared imaging. Check your camera's documentation to see if it will accommodate filters.

Next you will require an infrared filter. The Hoya R70 infrared filter is one of the best and cheapest to buy, however at around US$40 or more it can be out of the price range for most would-be infrared amateurs - especially since you still don't know if the end-product image will be what you want to achieve! If you've got the money to spare (or to blow!) then give it a go.

After purchasing an infrared filter, attach it to your camera, set up a tripod outdoors on a sunny day and shoot away! The first thing you'll notice is that you can either see nothing or very little through the camera eyepiece.

Your camera will be recording images in the infrared spectrum - not visible light - so you would expect to see very little light through the filter with your own eyes.

Be aware that adding an infrared filter may have serious effects on your camera's electronics or lens. Consult your camera's operations manual or manufacturer before fitting any infrared filter to your camera, and never look through an infrared or any other type of filter with your own eyes.

Photo Shop Australia http://www.PhotoShopAustralia.com/ has a large array of infrared example images captured using combinations of shutter speeds, aperture and light sources.

Resource:
Phill Petrovic is the owner of Photo Shop Australia at:
http://www.PhotoShopAustralia.com/

Photo Shop Australia provides unique and amazing Australian nature photography including macro, infrared and landscape images of Australia. Photo Shop Australia also has a page of totally royalty free images available for free download for businesses and personal users.

Publisher Guidelines
If you wish to publish/reprint any ezine or blog article from Photo Shop Australia in your own online newsletter, newspaper, magazine, other print publication, ezine, website, or blog you must acknowledge the copyright of Phill Petrovic and Photo Shop Australia by publishing the entire article without changes, including hyperlinks.

You must also include the full resource details as shown below the article.

You must also agree to not to change the title or content of the article in any way. All links must be maintained active.

This notice constitutes written permission for you to publish this article using the guidelines above.

 

 

Infrared Photography and Big City Crime

Summary:
One of the major problems of the larger cities of the word these days is crime. It appears that the larger the city the more-acceptable serious crime seems to be. Not much escapes the all-seeing eye of the infrared camera of the police helicopter as it chases a carload of thieves down the freeway. Likewise, your own infrared daytime photography should let no entity go unnoticed.

Article:
One of the major problems of the larger cities of the word these days is crime. It appears that the larger the city the more-acceptable serious crime seems to be. If not because to the proliferation of serious crime then because the mindset of its citizens have been conditioned to accept the serious behaviour of a minority of its inhabitants.

So, how does this statement relate to infrared digital photography and the hobbyist or professional camera operator?

Not much escapes the all-seeing eye of the infrared camera of the police helicopter as it chases a carload of thieves down the freeway in the middle of the night. They will almost invariably be caught by the police when they exit their vehicle thanks to the thermal heat imaging of the helicopter's infrared camera.

Likewise, your own infrared daytime photography should let no entity go unnoticed. After all - you've spent a lot of time setting up the shot and composing the image with just the right light, shutter speed and aperture. Your mindset should not be to simply accept inaccuracies and faults with your photograph, but to go that extra step to eliminate them altogether.

Just like the officers in the police chopper, why would you go to great lengths to capture that final important infrared image only to decide at the last second to give up the chase?

Digital infrared photography does have a few things that should be taken into account to ensure your image is as best as could be. The following combination of items will affect your image:

  • Light

  • Dust on the infrared filter

  • Type of infrared filter

  • Exposure setting

  • Aperture

  • Movement of the subject

The digital infrared images at Photo Shop Australia http://www.PhotoShopAustralia.com/ have varying amounts of light, shutter speeds and apertures.

Low light may require longer exposure times if you can't get the aperture down low enough. This could have a dramatic effect on the final image - especially if you are shooting a subject that may move even slightly.

Dust on the infrared filter will affect the image by producing "blind spots" in the final image. A close inspection of your infrared image in your photo editing software will reveal these. The blind spots can be smudged out of the image easily, but if you have hundreds then it may be more worthwhile to recompose the image than to edit the digital photo.

The type of infrared filter will also determine the outcome of the print. The Hoya R70 filter seems to be the best-priced for digital infrared photography.

Exposure and aperture settings can be played with until you find the best combination for your camera. But keep in mind that usually the higher the F-stop the longer the shutter speed required. So shooting a moving subject at a long shutter speed can result in unwanted effects.

Long shutter speeds (of up to 15 seconds or more) of trees on a windy day can actually produce the most spectacular effects.

We've all seen those long exposure night photographs of cars moving along a freeway. Long exposure daytime digital infrared imaging can produce amazing results too. You just have to get creative with your camera and subjects. Think of the possibilities!

Be aware that adding an infrared filter may have serious effects on your camera's electronics or lens. Consult your camera's operations manual or manufacturer before fitting any infrared filter to your camera, and never look through an infrared or any other type of filter with your own eyes.
 

Resource:
Phill Petrovic is the owner of Photo Shop Australia at:
http://www.PhotoShopAustralia.com/

Photo Shop Australia provides unique and amazing Australian nature photography including macro, infrared and landscape images of Australia. Photo Shop Australia also has a page of totally royalty free images available for free download for businesses and personal users.

Publisher Guidelines
If you wish to publish/reprint any ezine or blog article from Photo Shop Australia in your own online newsletter, newspaper, magazine, other print publication, ezine, website, or blog you must acknowledge the copyright of Phill Petrovic and Photo Shop Australia by publishing the entire article without changes, including hyperlinks.

You must also include the full resource details as shown below the article.

You must also agree to not to change the title or content of the article in any way. All links must be maintained active.

This notice constitutes written permission for you to publish this article using the guidelines above.

 

 

 

 
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